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August 25, 2004
Narcissus on the Prowl
By Jonathan Yardley The term 'metrosexual' was coined in 1994 by Mark Simpson,
Peter Hyman reports, “a British queer theorist who used
the word to satirize the phenomenon of 'strays' -- gay-acting
straight men who, with their disposable incomes and consumeristic
obsessions, were shopping in record numbers in London.”
Hyman himself defines it (and in so doing defines himself)
as “a dandyish heterosexual narcissist in love with not
only himself, but also his urban lifestyle; a straight
man who is in touch with his feminine side.”
Peter Hyman -- the name is genuine, though its multiple
double entendres make it sound like a nom de plume -- lives
not in London but in New York, and lives the metrosexual
life with what he claims are mixed feelings. He is, he
says, a metrosexual "reluctantly," as he explains:
"By this I mean that the buzzword has been foisted
upon me, and even as I accept that some of its parameters
may accurately describe me, I prefer to play the snarky
contrarian. And of course, given the title of this [book],
it is in my interest to disavow the trend as a marketing
construct, but to do so in a way that allows me to embrace
certain aspects of it with cagey ambivalence. As with metrosexuality
itself, my position is more a posture than it is a legitimate
identity."
In other words, "The Reluctant Metrosexual" is
an attempt to cash in on the 15 minutes of fame that metrosexuality
is enjoying (thanks largely to the inexplicable popularity
of the television program "Queer Eye for the Straight
Guy") while mocking it at the same time. This is especially
evident in the book's opening chapters, in which Hyman
does elaborate contortions to ingratiate himself with the
reader. The book's fixation on himself, he says, reaches "an
astonishing level of self-indulgence and authorial pretense,
even for someone as egotistical as I happen to be." He
even fires "the first slings and arrows, saving those
who would otherwise do so the effort of loading their bows: This
book is a pompous exercise in self-aggrandizement that
tries too hard to be funny and displays the author's undernourished
but delusional sense of his own importance ."
Then, for about 40 more pages, that seemed to me exactly
the right judgment to pass on "The Reluctant Metrosexual":
narcissistic, labored and singularly unfunny, as well as
a blatant imitation of David Sedaris's hugely popular self-mocking
autobiographical essays. I was within a trice of hurling
the book across the room and finding something else to
write about for today's assignment. But then, in a chapter
about online dating services, the book began a slow turnaround
-- not a full 180, but enough of a change to render it
more interesting, perceptive and even sympathetic. True,
people who aren't being paid to read it may not make it
through those first pages, but if they do they'll find
a few small but unexpected rewards.
Hyman is in his mid-thirties, the youngest son of a prosperous
family from the Detroit suburbs. Like his siblings and
his father, he occupies "the slightly confusing position
of being a Waspy Jew" (his mother is Protestant) whose "Waspy
tendencies illustrate themselves in external ways, while
my internal landscape is all Jew," or, as he nicely
encapsulates it: "Dress British, think Yiddish." The
over-assimilated Jew is scarcely a new phenomenon (think
Bernard Baruch or Walter Lippmann), but Hyman describes
it with considerable wit and understanding, including a
deft account of Ralph Lauren, a "Bronx-bred Jew" who "brought
the Wasp aesthetic to the nation en masse," but in
a calculated way: "Lauren merely cherry-picked the
shallowest parts of the Wasp culture (the clothes, the
summer homes, the horses), leaving behind the less savory
aspects (the xenophobia, the lack of communication, the
drinking)."
Both the clothes and the drinking seem to appeal inordinately
to Hyman, who recounts at length his shopping sprees and
his nights on the town, but what really fires his enthusiasm
is what he calls "dating," a euphemistic synonym
for sex. He imagines a conversation between two women,
one of whom has just met him and one of whom knows him
by reputation. When the latter learns that the former is
interested in him, she protests: "But he's a serial
dater ." Does this bother Hyman? Not at all: "Dating
sequentially, one person after the other, in an orderly
fashion, until two people happen upon a relationship to
which they want to commit with equal enthusiasm. This seems
a winning strategy to me." Or:
"The plain truth is that I serial date because I
want to be certain that when I stop serial dating, I do
so for good. This hopeful rationale is rooted in my belief
that, for all of its exposure to not-quite-right-for-me
scenarios, serial dating functions as an elongated training
camp, preparing those of us willing to run the wind sprints
for the marathon that is a committed relationship."
Well. Whether this is really a long windup for "life's
most worthwhile endeavor" -- "a dedicated twosome" --
or just a fancy justification for promiscuity is very difficult
to determine. Myself, I tend toward the latter interpretation,
though in a longish chapter about the breakup of a romance
that he thought was the Real Thing, Hyman reveals a desire
for stability that appears to be genuine. Certainly, though,
this "reluctant" metrosexual's enthusiastic pursuit
of "dates" is characteristic of the world he
inhabits, the fast, morally obtuse world of the hip Manhattanites
in which -- so it was reported not long ago -- sleek young
women test-drive sexual partners, a pressure-packed examination
that is said to have some men resorting prematurely to
Viagra.
Thus for those of us not merely on the outside but a generation
or two older than these urban swingers, "The Reluctant
Metrosexual" can serve as a guidebook to terra incognita,
much as Bret Easton Ellis's "Less Than Zero" served
as a guide to the hip underside of Los Angeles nearly two
decades ago. Presumably Hyman's book will have no more
staying power than Ellis's did, but it is very much of
its here and now and as a result is not without a certain
value.
Those who delight in passing moral judgment
on others will find much to get their juices flowing here.
Though his life may be, as his subtitle says, "almost hip," there's
also a surprising ingenuousness about the way Hyman recounts
his victories and defeats in the great game of love. He simply
doesn't seem to comprehend that "serial dating," which
to him is harmless at worst and a "winning strategy" at
best, may strike others as self-indulgent and irresponsible.
He has been on the planet for 3 1/2 decades, and in that
time he has done a lot -- worked, traveled, "dated," etc.
-- but he doesn't seem to have learned much. Or grown up
much, either. < back to main press page
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